Review: The Killing ‘Six Minutes’ – It’s Ground Beef
Reflecting on the intense forty-two minutes that is ‘Six Minutes’, I’m of two minds: while I thoroughly enjoyed the character work being done by the writers and actors in the….
Reflecting on the intense forty-two minutes that is ‘Six Minutes’, I’m of two minds: while I thoroughly enjoyed the character work being done by the writers and actors in the….
Generally speaking, the emotional stakes of The Killing are pretty low: even though the show’s dramatically improved its narrative form, it’s still struggled at times to find meaningful arcs that move beyond….
Thankfully, The Killing isn’t introducing new murder suspects as we head into the final third of the season: but it isn’t quite working towards one in ‘Try’, spending half the episode on….
Apparently the theme of The Killing this season is “No Rain, No Gain”: without any drops falling down on the people of Seattle, there isn’t much headway made in the ‘Pied Piper’….
For every step forward Sarah Linden makes in her investigation, she takes three steps back.
I wondered how long it would take The Killing to get to one of its reveal-y moments – and all season, I’ve been curious to what my reaction would be to it.
Without much momentum in the murder investigation to report on, ‘Head Shots’ has to lean heavily on its characters and interactions to carry the weight of the episode.
I was willing to secede last week that this ‘new’ version of The Killing was at least more intriguing than the last, but I wasn’t ready to buy into Linden and….
It’s not often a show gets cancelled and then comes back (though it does appear to be happening more frequently, in this age obsessed with retro) – but when it….