Ironheart Episodes 1-3 Review – “Take Me Home”/”Will the Real Natalie Please Stand Up?”/”We in Danger, Girl”
Ironheart’s debut struggles through three episodes of mushy storytelling, thin characters, and a distinct lack of identity.
Ironheart’s debut struggles through three episodes of mushy storytelling, thin characters, and a distinct lack of identity.
Political assassinations, global conspiracies, golf… it’s all here in Processed Media’s 2025 New TV Preview.
Deadpool and Wolverine arrives at the nadir of the MCU, unable (and often, unwilling) to escape its ever-consuming vortex of disappointment.
WandaVision’s finale is caught between two shows: a touching farewell to its central romance, and a noisy commercial for Phase 4.
WandaVision’s “Previously On” delivers a genuinely moving flashback, buried under a heavy load of finale-setting exposition.
WandaVision loses its emotional thread in “Breaking the Fourth Wall,” another episode more interested in Easter eggs than its characters.
“All-New Halloween Spooktacular!” finds real poignancy in Vision’s unraveling, even as WandaVision’s MCU obligations keep dragging it off course.
“On a Very Special Episode…” nails WandaVision’s 80s sitcom homage, but lets a splashy multiverse cameo overshadow Wanda’s pain.
“We Interrupt This Program” swaps WandaVision’s charm for lore-dumping, though its unsettling final seconds still land.
“Now in Color” abandons much of WandaVision’s early charm to feed the MCU’s mystery-box machine.