First Impressions: Altered Carbon (Netflix)
Altered Carbon has a lot of promise and spectacle, held back by some poor character and world building.
Altered Carbon has a lot of promise and spectacle, held back by some poor character and world building.
BoJack Horseman’s fourth season is a slightly inconsistent departure – but a journey well worth taking.
Loaded is bogged down by cookie-cutter characters, but its sharper reflections on wealth may be worth a longer look.
American Gods closes its uneven first season on a high note with “Come to Jesus”.
American Gods’ critique of faith and power takes flight in “A Murder of Gods,” its most satisfying hour yet.
American Gods’ “Git Gone” is a methodical, morally complicated detour that’s as frustrating as it is fascinating.
American Gods’ visual ambition carries “The Secret of Spoons,” even as its plot barely inches forward.
American Gods’ visually stunning pilot, “The Bone Orchard,” is dazzling but nearly incoherent for anyone unfamiliar with the source material.
Archie’s pilot is better than it has any right to be, a potential reimagining for the ages.
HBO’s Westworld looks incredible and (mostly) makes sense, but it never digs as deep as it thinks it does.